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A New York Non-Profit Art Organization

Bob McNeil

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Bob McNeil

Return to Issue 10

 

Jazlynn

Through a Harlem hotel window,

I heard the day

imitate “Rhapsody in Blue.”

One clarinet wheeled in howling.

Later, there were rush hour notes

from saxophones, trumpets,

woodwinds and violins.

Besides their vehicular tonality,

there were additional instruments

arousing my tympanum.

Then, the day swung to another rhythm

and its Chick-Webb-fast drumming life

was beckoning my feet.

Opposing my slow drag dance mood,

the alarm yelled,

“Since Duke Ellington’s A Train

Won’t nap,

Out tap the Nicholas Brothers

And do Cab Calloway’s ‘Jumpin’ Jive.’”

On a queen-sized bed,

an Oshun-picturesque seductress,

who should have been

Billie Holiday’s twin,

said hello

in that way good gin gets you.

Inebriated by everything she stated,

I heard her say,

“In our jam,

you grooved well,

real well,

but don’t exit

until after the encore kisses,

crooner.”

My response was all raspy,

similar to Louis Armstrong’s exuberance

when he sang “Hello, Dolly.”

A few coughs into my sentence,

my voice became Chet Baker’s.

Either the coffee

or her kisses

made my hangover

recede and it revealed

her name.

Her name was Jazlynn,

but she preferred

to be known as

Jazz.

by Bob McNeil

Copyright 2020


Thought-steering on the Atmosphere

     From my mountain-high rooftop view of the city, far removed from rushing commuters, up here, where lights beam with the regalness of stars, where planes sail the cloud-clad road and go everywhere beyond my limited journeys, I feel Titan-tall on this summer night. Down there, I’m a moth among tuxedos.  Understanding this, while fearing my place within that reality, I dream about remaining up here for the duration of a tree’s persistent life.

     The moon wears a pretzel smile as if it's perplexed. Perhaps it’s thinking, I look at you look at me, but what are you to me? Because of continuous inspection, I realize the moon’s countenance is more on the order of contempt, contempt for its isolation as some of the world slumbers. Even though the sphere veils days, summons tides, inspires wolf-howling madness, and makes oceans sway, no power unlatches its prison cell loneliness.  

     As clouds and thought clusters roll by this tar beach, I watch the night exit behind a golden curtain.   Feeling rested, at last, I realize that no matter the view, beauty is assessed by the disposition of an individual's black-robed judge. Such awareness gives me the mettle to greet my rush-hour-entropic responsibilities below.

by Bob McNeil

Copyright 2020


Bob McNeil is the author of Verses of Realness. Hal Sirowitz, a Queens Poet Laureate, called the book “A fantastic trip through the mind of a poet who doesn’t flinch at the truth.” Recently, Bob served as Editor for the poetry anthology entitled Lyrics of Mature Hearts.

Connection to SEQ: When asked about the importance of Jazz in New York, Bob McNeil replied, “Unfortunately, some people do not realize that a lot of Jazz history came from a specific area of an outer borough. Specifically, South East Queens played an incontrovertible role in the genre’s development. Musical pioneers like Clarence Williams, Count Basie, and Ella Fitzgerald, as well as many others, called that area home. Today, housed in our hearts and heads, their undeniable musicality forever dwells.”

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