Hano (Heart)
RETURN TO ISSUE 14
The elders say there is something
that stirs in the deep, dark depths of
the world, and of all that exists.
This force causes the
undulations that
reverberate throughout; but there
is a force of pressure that thins
these wavelengths out until they fade.
For this reason, we must
contemplate the Deep, and its
connection to the Above, so
that we can discern how to stir
up more undulations.
There was a certain living
creature, stirred up in the mud by
sparks in the caverns of the
quaking deep, which possessed eight
tendrils and became known as
<<Nyàfi>> among the others, which
means "legendary one."
The eight-tendriled one crawled along
the face of the Below, listening
intently for the stirrings of
the Deep. When there was a quaking,
and the undulations would come
forth, and the wavelengths were straying,
<<Nyafi>> would reach out a tendril,
to feel it rumbling in their arms.
Once, twice, a third time, a fourth time,
<<Nyafi>> would catch the rumblings in
a different tendril, quivering
under the power of the
explosions, and began to feel
emotions within their stirred up
flesh.
Along with emotions came <<Dav>>
which is to say memories that
were not just of <<Nyafi’s>> own mind,
but stories about all the clans
whose flesh had antedated theirs.
Quickened by these sensations, the
eight-armed creature would move this way
and that way, rhythmically, and this
is how the first dance was made.
There were other living creatures
at the time, and they observed
<<Nyafi>> dancing.
They gathered around <<Nyafi>> and
remarked: "this one feels the rumblings
of the deep in [their] very bones."
Many of them began to ask
what sort of sensations were
percolating through <<Nyafi's>>
body that caused them to shake in
synchronicity with the
stirrings of the Deep.
"We too want to experience
connection to the power here
Below," they said. They begged <<Nyafi>>
to show them how they could get
a rumbling held inside their chests
and in their very bones as well.
<<Nyafi>> heard these inquiries and
looked to the dust and fashioned a
small orb from the mud.
The orb had many holes and small
tendrils in it and <<Nyafi>> gave
one to each living creature and
told them: "this orb is my shadow;
take this object and bring it to
the deepest, darkest chasms. When
it is filled with fire, open up
your very flesh and place it in
between your bones. Then, you will be
able to feel the rumblings of
the Deep as I do, and its
stirrings shall live in your body,
so that memories will not be
forgotten."
The other living creatures took
the orbs from the Octopus and
raced to the vents at the Bottom
of the Sea, and as the power
quaked and exploded, fire filled
the orbs.
Each living creature cut open
their flesh and placed the firelit
object in between their bones,
giving themselves a heart.
It is then that they felt a beat
which rumbled in time with the
stirrings of the Deep and they
began to dance like the
Octopus could.
Soon all the living creatures
understood rhythm, and they could
feel sensations and
undulations in their very
flesh, and it filled them with memory.
They quaked, and their bodies flowed
in understanding of the lives
that had preceded them, that had
come up shaken by the power
that stirs up from Below.
Each living creature was quickened
uniquely, based on their own shapes,
and had their own dance, and they would
gather in circles and
demonstrate this newfound gift and
knowledge to each other.
For this reason those who play drums
and who dance are called <<Nyafadre>>
which means literally "those
chosen by the legend," because
they follow the teaching of the
Octopus to all the living
creatures.
Whenever the people gather,
we dance and quake in our own way
to rhythm, and in this way we
feel and understand the power
stirred up from Beneath us, and can
remember the things that would fade,
because of the beat in our heart,
that rumbles in our very bones.
Endnote: In the Undulatrix, the word for “heart” is <<hano>> which is related to <<heno>> (“a rock”). It is more commonly translated as “soul,” in order to encompass the entire being of a given living organism. This notion of the heart/soul is not spiritual or metaphysical per se (although one could interpret it as such); and yet it is not exactly reduced to either biology or psychology either. In fact, the best way to understand <<hano>> in my conlang is to study Sylvia Wynter’s elucidations of the quote “beside phylogeny and ontogeny stand sociogeny” from Frantz Fanon. Wynter theorizes human cognition and consciousness as a result of dialectic between external imbrications upon specific neurochemical phenomena as well as that of culture and social life, specifically ritual, language, and symbolism. Human behavior and identity, as well as human environmental impact, is also explained as emerging from this hybridly “bios/mythos” relationship (as Wynter calls it). Her thesis was essential to my coming to understand the way my brain works, and giving words to my aesthetic views behind this conlang. In the case of <<hano>> it means that a living organism’s “heart” or “soul” is the site at which subjective experience of ancestral memory, of emotion, of sensory stimuli occurs (like the fire-filled orbs of dust from the Octopus), and that it has a material basis with regards to objective forces (symbolized by the stirring of the Deep). The individual’s dance, then, (representing their experience of being, of how rhythm fills the heart) emerges within this simultaneously cultural-ecological continuum. Everyone is unique, therefore, and yet, there is a generalizable set of conditions around that uniqueness which are partly biotic, partly, social, partly material/environmental.