BLACK UTOPIAN FELLOWSHIP 2023

 

Applications for Black Utopian Fellowship are now closed.

2023 THEME: PLEASURE

 
 

INFORMATION SESSION RECORDING

 

“We have to make justice the most pleasurable experience humans can have.” - Adrienne Maree Brown

For this year's cohort we ask our fellows to propose projects that highlight practices of pleasure. A feeling of enjoyment but when truly realized - one of the most poetic forms of resistance. A state of pure ecstasy and unapologetic joy. Glee with the understanding of meeting needs beyond survival. 

We ask applicants to propose projects that unpack - the taboos of pleasure as a means of self expression of self identity and/or love. Bearing witness to the unraveling of gratification and its intricacies of these feelings. 

Some possibilities that applicants could consider, for example:  

  • creating spaces that protect and celebrate the ritual of leisure pleasures like roller skating or getting one's nails done  

  • focusing on how the practice of intimate pleasures sustains our psyches but also continues to populate into the future. 

These projects should be new, intention-based ideas that combine the theme along with an outward facing programming component. 

Reading References: Pleasure Activism by Adrienne Marie Brown, Erotique Noire by Miriam DeCosta-Willis, Mules and Men by Zora Neal Hurston

SOME QUESTIONS TO HELP GENERATE THOUGHT:

How does Black pleasure look?

How do we protect black pleasure in a utopia?

How do we navigate pleasure in 2023 via social media?

How does AI relate to pleasure?

The monetization of pleasure?

Pleasure vs Pain? 

Documentation of Pleasure?

Taboo of pleasures.


The Black Utopian Fellowship

The Black Utopian Fellowship is an incubator Fellowship created by #DayOnesArt in collaboration with Culture Push. The BUF is a year-long Fellowship for Black artists, researchers, scientists and inventors, with career development and mentorship through a connection with Black-run institutions. The intent of the Black Utopian Fellowship is to share resources and support social engagement, educational programming, and revitalization of communal hubs.

The Fellowship program is open to Black artists and other professionals working in any discipline who wish to expand the boundaries of their practice. Applicants are encouraged to review our organization’s mission before submitting materials as well as the specific nature of this Open Call. We will award The Black Utopian Fellowship to one applicant.

The Fellowship for Utopian Practice

The Fellowship for Utopian Practice is a testing ground for untested and new ideas that aim to create positive social change through civic engagement and horizontal learning opportunities. Through the Fellowship for Utopian Practice, Culture Push serves artists by providing creative, analytical, and logistical tools in the creation of truly transformative projects. Pre-existing performances, established projects, and fully funded works are not eligible to apply. Learn more about our Guidelines, and how to apply here.

Any questions should be addressed to buf@culturepush.org with the subject line “Black Utopian Fellowship Question”.

    • September 25, 2023, 11:59 PM ET: Open Call deadline

    • October 2023: Fellow is informed

    • November / December 2023: Initial project discussion

    • October 2023 - October 2024: Continuing support and strategizing

  • Applicants must have at least 3 years of experience in their field. Currently enrolled undergraduate students may not apply. Projects must be new, socially engaged work that have not received any prior institutional support and occur within the five boroughs of New York City. Group or collaborative proposals are welcome.

  • To be considered for the Fellowship, projects must:

    • Be interactive and engage the public (entirely or in part), in accordance with our mission. Note: Our definition of “civic engagement” includes public talks, live interactive components, skill-shares, participatory performances and similar activities that in some way address the public good and have clearly defined goals for serving as a means of generating social change.

    • Test a new and previously unrealized idea that expands the scope of the applicant’s current practice.

    • Not be considered as an exhibition or the production of a ‘show,’ but rather a series of events and/or actions aimed at engaging the public.

    • Occur during the Fellowship year.

    • Take place within the 5 boroughs of NYC (projects may have components outside of this geographic region, but they will not be supported by Culture Push).

    • If your proposed project is part of a larger piece or series, Culture Push funding may only be applied toward the public engagement component of the project.

    • Honoraria for the project ($2000)

    • Fiscal sponsorship for additional grant-based fundraising and individual contributions

    • Strategic meetings with Culture Push staff, including development and production support

    • Access to Materials for the Arts

    • Networking meetings with Culture Push Board, Executive Director, Staff, Advisors, and other Fellows

    • Marketing via the Culture Push network, email list, and social media contacts for promotion purposes

    • Mentorships with experts in the field

    • An opportunity to contribute to or edit our online journal, PUSH/PULL

    • An opportunity to present your research and project development at the annual Culture Push Symposium

    • An opportunity to exhibit your work at a public presentation produced by Culture Push alongside past and current Fellows

    • Culture Push does not provide a venue or exhibition space for projects, but we will work with Fellows to help secure suitable site(s).

  • What kind of work samples should I include?
    Include your strongest work samples. We understand that you are proposing a project that you have not yet completed or developed, and understand that your work samples will not necessarily be representative of your proposed project. This is why we encourage you to submit what you believe to be the best example of your work to date. If you think it would be helpful, feel free to send a sketch, rendering, or mock-up of your idea.

    How long does the Fellowship last?
    The Fellowship will last for one full year.

    Do I have to complete the project within the Fellowship year?
    No, your project does not need to conclude within the Fellowship year in order to be successful. We only require that you develop your project during the year and have at least one public presentation of your work. The Fellowship is a process-based program. We are more interested in supporting artists as they develop sustainable working strategies to purse unusual lines of inquiry than in seeing a “finished” product. Many Fellowship projects become long-term commitments that only begin with the Fellowship.

    Do I have to live in New York to apply?
    Technically, you do not have to currently reside in New York City to be eligible for the Fellowship. However, the Fellowship is designed to support artists engaging directly with people, places, and institutions in New York City. If you do not currently live in New York and would like to apply, we would expect you to relocate here for at least the duration of your Fellowship in order to develop your project and attend regular meetings. Outside of the $2000 stipend we cannot currently provide funds to assist with travel or living expenses.

    More questions?
    Send us an email at cp@culturepush.org with the subject line “Fellowship Question”.

    • Title of the Project *

    • Project Summary * Please describe your proposal in 50 words or less.

    • Project Narrative * Describe your proposed project, its goals and timeline, and the link between your project and the Culture Push mission with as much detail as possible. Your Project Narrative may be submitted in the text box below as a Written Narrative (Max 500 Words) OR a Link to a Video or Audio Spoken Narrative (Max 5 minutes), including any passwords. The panel will not read/watch/listen beyond these limits.

    • Resume or CV * detailing your artistic and/or professional experience. For collaborative proposals, please provide resumes or CVs for each participating artist. Collectives should provide a resume for the group’s activities.

    • Work Samples * You may submit recent, relevant work samples in the form of images, videos, audio, pdf document and/or links. For all samples submitted, please upload a one-page .pdf with short descriptions and context for your work samples. All files must be less than a total of 20 MB. Criteria: 

      • Upload no more than 5 image files (jpg/png) 

      • Link to an online image gallery or video or audio content is acceptable.

      • Video samples should be no more than 5 minutes long.

      • If you must submit longer videos, please provide a cue point. 

      • If your Work Samples include links, please enter them in the text box.You may provide up to 3 links. If you provide links, please provide a sentence or two of context.

    • Reference * Contact information for one professional reference.

    • First and Last Name *

    • Email Address *

    • Pronoun/s *

    • Are you applying to our Climate Justice Fellowship? *

      • Yes

      • No

    • How did you hear about the Fellowship? *

    • Associated Artist Program * Over the past few cycles, we have received applications for compelling projects that for various reasons we are unable to support through the Fellowship, but are interested in nurturing in a less involved capacity. Please let us know whether or not you would consider a relationship with Culture Push outside of the Fellowship. Depending on the project, this might be a reciprocal exchange, a partnership, or a set of strategic meetings with Culture Push staff.

      • Yes

      • No

    • What, generally, are your sources of funding for your projects? (100 words)

    • Is there anything else you would like us to know about you or your work? (100 words)


 

PAST FELLOWS

Yanni Young

BLACK UTOPIAN FELLOW 2022

PROJECT: COMING IN STORIES: CONVERSATIONS W/ BLACK LGBTQ ELDERS IN HARLEM

Yanni Young is a Black, queer, multi-disciplinary artist born and raised in Harlem, NYC. Yanni grew up performing in plays, musicals, played piano for five years and attended a performing arts high school as a vocal major. Other mediums that Yanni has explored have been podcasting as well as documentary filmmaking. For two years Yanni had a podcast called "Soul Rebel Podcast" centering Black artists, healers, and grassroots organizers, allowing them to speak on their work and their life journey that led to where they are in the present. They currently intern for a Black jewelry brand based in Brooklyn by the name of Heavy Metals NYC. Yanni is also an administrative assistant and teaching artist with the LEAP program of NYC in Brooklyn. Learn More — >>


Ann Bennett

BLACK UTOPIAN FELLOW 2021

PROJECT: LINEAGE LAUNCHPAD © - ANCESTORS’ TONIC

Ann Bennett is an Emmy nominated documentary filmmaker and multimedia producer. She produced the NAACP Image Award-winning PBS feature documentary, “Through A Lens Darkly: Black Photographers and the Emergence of a People” as well as the multi-platform community engagement initiative, “Digital Diaspora Family Reunion” (DDFR). Bennett’s film credits include; ‘Citizen King’ and ‘Fisk Jubilee Singers’ for the PBS series “American Experience”, ‘Hymn for Alvin Ailey’ for “Dance in America”, and the award-winning PBS mini-series; ‘Africans in America’ and ‘America’s War on Poverty’. Bennett is a graduate of Columbia University Graduate School of Journalism and Harvard College and focuses her work on exploring the nexus of history, culture, disability, and technology within multicultural communities.
Learn More — >>


Dennis Redmoon Darkeem

BLACK UTOPIAN FELLOW 2020

PROJECT: MEN OF COLOR HEALING ARTS CENTER

Dennis RedMoon Darkeem is inspired to create artwork based on the familiar objects he views through his daily travels. He discovers elements in existing architecture and among everyday items found within the home. Darkeem ultimately set out to express a meaningful story about events in his life and the lives of people in the communities where he lives and works. Darkeem utilizes multiple mediums in his work. This creates a rich viewer experience as the eye uncovers the multiple layers. Learn More —>>